Canon RF Telephoto Lenses image

Canon RF Telephoto Lenses

Canon has expanded its lens range for the full-frame EOS R mirrorless system with the addition of two blockbuster super-telephoto RF lenses:

  • Canon RF 800mm f5.6 L IS USM
  • Canon RF 1200mm f8.0 L IS USM

Canon have made EF versions of these focal lengths in the past, the legendary EF 1200mm f5.6 L from 1993 is incredibly rare. They were made to order, there is only speculation about how many were ever produced and we have never seen one at Fixation. More recently in 2008 the EF 800mm f5.6 L IS USM had the new benefits of Canon image stabilisation and magnesium alloy build for lighter weight however it was still 4.5kg

Times and technologies have moved on and while we saw mark II and mark III versions of the 300mm and 400mm super telephoto lenses which were ever lighter, better balanced, with more advanced stabilisation systems and power aperture control rings, there was never a revision to the 1200mm or 800mm lenses until today.

Lenses are available to pre-order, contact our sales team on sales@fixationuk.com or call us on 020 7582 3294 for more information.

Key specifications compared
RF 1200mm f8.0 L IS USMRF 800mm f5.6 L IS USMEF 1200mm f5.6 LEF 800mm f5.6 L IS USM
Release Year2022202219932008
Focal Length1200mm800mm1200mm800mm
Maximum Aperturef/8.0f/5.6f/5.6f/5.6
Weight3.34kg3.14kg16.50kg4.50kg
Image StabilisationYes: 4 Stop ISYes: 4.5 Stop ISNoYes: 4 Stop IS
Close focus distance4.3m2.6m14.0m6.0m
Price£22,449£19,099No longer available£13,549

Lenses are available to pre-order, contact our sales team on sales@fixationuk.com or call us on 020 7582 3294 for more information.

Are they really compact lightweight and portable?

This depends on your perspective, if you are used to using telephoto lenses, especially if you used to use 1990s and 2000s mark I telephoto lenses from Canon then the answer is yes! The difference between those early telephoto lenses and what Canon can produce now is phenomenal. So much so that we often have to double check the cases of the mark III EF telephoto lenses to make sure there is a lens in them. When you are used to the heavier kit, the new kit feels like it is barely there.

On the other hand if you are used to small lenses eg. 70-200mm f2.8, 24-105mm f4.0, prime lenses under 180mm, then the answer is no. Any supertelephoto lens will seem large and unwieldy to start with. They are “long” lenses by definition super telephoto lenses have to be longer and larger to magnify subjects at a great distance. The lenses have their own cases and cannot be put into a normal backpack along with your camera and flash, when travelling overseas this is a significant consideration.

In the end it is down to what you are used to as a photographer, and if you have never used a telephoto lens before don’t worry you can it takes a little practice but the results are well worth it. If you do travel regularly, covering international sport for example, this becomes a normal part of your travel planning.

Telephoto lenses launched April 2021:

Canon has announced three new lenses in the RF range: An RF 100mm f2.8 L Macro USM, Super-telephoto RF 400mm f2.8 L IS USM and, even longer a Super telephoto RF 600mm f4.0L IS USM.

THree new lenses launched by Canon 14th April: RF 600mm f4, RF 400mm f2.8 and EF 100mm f2.8 Macro. All lenses are Canon L series.
Left to right the RF 600mm f4.0L IS USM, RF 400mm f2.8L IS USM, RF 100mm f2.8 L Macro IS USM

All three lenses use Canon L series optics and are RF versions of tried and tested EF lenses updated for EOS R mount mirrorless digital cameras.

Canon RF 100mm f2.8 L Macro IS USM Lens        £1,449
Canon RF 400mm f2.8 L IS USM Lens                 £12,449
Canon RF 600mm f4 L IS USM Lens                    £13,409

To place an order with our sales team, call us on 0207 582 3294 or email sales@fixationuk.com

Canon RF 100mm f2.8L Macro USM

The 100mm is a versatile lens which delivers excellent macro images but it is by no means limited just to macro photography. The earlier version of this lens for DSLR camera bodies (EF 100mm f2.8L IS Macro USM) was prized for it’s revealing, clear images and used by beauty, product and portrait photographers as well as extensively for artwork reproduction and archive digitization. The image stabilization on a short telephoto was a real boon for early DSLR filmmakers working with the EOS 5D series and Cinema EOS systems.

In short, we’re confident this lens will be a popular choice for a wide range of photographers using EOS R cameras and may tempt more to move to mirrorless.

Fast close focusing

This lens achieves fast, precise and controlled focus, in near silence by using two Nano USM autofocus motors to drive two separate optical element groups. A floating lens group (which required the use of a second focus motor) is used to make the lens more compact and to focus closer for up to 1.5x magnification. Shorter distances within the lens make focusing faster.

The independent movement of the two optical groups also suppresses focus breathing, the subtle change in magnification seen when focusing a traditional optical system.

Rock steady image stabilisation

The hybrid IS system in the RF 100mm f2.8L IS Macro USM delivers up to 5 stops of image stabilisation in the lens alone. Paired with the in-body image stabilisation of the Canon EOS R5 the lens is capable of up to 8 stops of image stabilisation. Both of these measurements have been tested independently by CIPA.

It is worth noting that the stabilisation is tested at a standard subject distance and not at a macro distance. Because macro photography is much more revealing of shake and subject movement, Canon state that the IS delivers 2-stops of stabilisation when shooting at 1x magnification. For greater macro stability the lens has an optional tripod attachment ring.

Spherical Aberration (SA) control

A defining feature of this lens is the addition of a Spherical Aberration Control ring. The SA Control gives photographers more control of depth of field and bokeh by moving the floating element group independently. This allows you to alter the look of your bokeh and defocus in front of and behind the subject.

Canon RF 100mm f2.8L Macro IS USM Lens        £1,449
To place an order with our sales team, call us on 0207 582 3294 or email sales@fixationuk.com

Canon RF 400mm f2.8 L IS USM and RF 600mm f4.0 L IS USM

Two fast telephoto lenses are set to bring Canon mirrorless cameras into the world of professional sport and wildlife photography. These lenses give photographers the ability to capture the action while staying safely on the sidelines. 400mm is a standard length for football and rugby while 600mm is the go-to for cricket and golf. Outside the world of sport, the 600mm is highly prized by bird photographers and both focal lengths are used by wildlife photographers around the world.

Fast AF with Dual Power focus drive

These lenses are often used to track moving subjects. Canon have added a second power connection point to the lens mount so that with compatible cameras the lenses can draw more power for faster focusing and more accurate subject tracking.

Both lenses have a full time manual focus override so you can quickly adjust focus without switching focus modes. The 600mm allows you to set three manual focus speeds for precise control.

Portable

These are large lenses, the long focal lengths and wide apertures make these lenses objects that often dwarf the camera attached. Canon have done all they can to make such large lenses as light and easy to use as possible. Using lightweight alloys for the barrels the 400m is the lightest 400mm f2.8 for mirrorless cameras on the market at only 2.89kg. The 600mm is only a fraction heavier at 3.09kg.

Canon are no longer providing these lenses in bulky flight cases instead opting for reinforced soft cases to reduce the overall weight of the kit while travelling.

Canon RF 400mm f2.8 L IS USM Lens                 £12,449
Canon RF 600mm f4 L IS USM Lens                    £13,409
To place an order with our sales team, call us on 0207 582 3294 or email sales@fixationuk.com

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CANON EOS R5 C

Canon EOS R5 C

With just one compact body you can capture 8K video or 45 megapixel photographs. From Canon Cinema EOS the EOS R5 C is a video version of the popular EOS R5 full-frame 35mm mirrorless camera body with a boosted video spec and some important physical differences which make it an 8K video powerhouse.

Canon EOS R5 C: £4,499
The EOS R5 C is available to pre-order just contact our sales team on sales@fixationuk.com or call us on 0207 582 3294.

Canon EOS R5 C front view
A familiar silhouette from the front, the EOS R5 C is based on the EOS R5 mirrorless camera body.
Enhanced video performance

The EOS R5 C can capture 8K 30fps or 8K 60fps with an external power supply. It can also record oversampled 4K, slow-motion 4K up to 120fps, as well as Full HD. Beyond this range of resolutions and frame rates the camera is capable of recording in a range of professional recording formats: three versions of Cinema RAW light recorded in-camera, XF-AVC, MP4 and RAW output via HDMI to an external recorder.

Active cooling means the EOS R5 C will shoot for long periods without cut off, more on this point below.

When setting up to shoot shooting you can choose to record into profiles which offer greater latitude in post production: Canon Log 3, HLG (Hybrid Log Gamma) which allows for delivery to SDR and HDR monitors, and PQ a dedicated HDR transfer mode.

When shooting, Cinema EOS tools such as waveform monitoring and false colour views are available to help you get the perfect take.

High resolution 45 megapixel photography & EOS R system features

The sensor, as seen in the incredibly popular Canon EOS R5, captures incredible high definition images with stills burst speeds up to 20fps. Dual Pixel CMOS autofocus delivers accurate and fast subject tracking with reliable Face, Head and Eye tracking, maintaining focus even when your subject turns away from the camera. The Dual Pixel Focus guide even delivers precise focus feedback when manually focusing.
Built in WiFi lets you transfer photographs wirelessly to a phone or computer – without the need for an extra accessory.
The RF lens mount on the EOS R5 C is fully compatible with the growing RF lens range as well as the EF-EOS R mount adaptors which open up the camera to use with the complete EF lens range for Canon DSLR cameras including tilt-shift and super-macro specialist lenses.

The big difference between the EOS R5 and the EOS R5 C

How has Canon done it? How have they added such a strong video recording spec to the EOS R5 C? Why didn’t they bring all this out with the original EOS R5?

The answer to all these questions is Heat, no, not the 1995 impressive but also somewhat impenetrable crime classic. Heat generated by a sensor recording and a processor processing 8K video for extended durations has limited what Canon could previously deliver in a body designed for photography. Heat management is much more critical for video cameras with an always-on sensor constantly demanding processing power compared with a stills camera which is only capturing and processing image information for a fraction of a second.

Canon have handled the heat generated by this video operation by adding an active cooling system (a fan to you and me) which cools a heat sink pulling heat away from the internal operations of the camera. The result is a thicker body behind the LCD and a longer hot-shoe and eyepiece compared to the original EOS R5 body. The right-hand grip is the same dimensions so hand-holding the camera will be just as comfortable as the EOS R5. This physical difference is most notable from a top-down view of the two bodies side by side:

The other change which we think is related to the cooling system is that the sensor has no IBIS stabilisation system, the sensor is static in the body. Canon announced that there is a 5-axis electronic stabilisation which will compliment optical image stabilisation in their IS lenses. Electronic stabilisation uses pixels surrounding the frame as a buffer to compensate for camera movement so can cause some cropping.

In the Cinema EOS lineup this camera is the smallest and lightest and the most like a Canon stills camera making the move to a professional video ecosystem easier for any Canon photographer being asked for more video content. For experienced Cinema EOS users the EOS 5R C offers a body that can deliver both the video performance they expect and a strong option for photography without the need to invest in a second system.

For more information or to pre-order the camera contact our sales team on sales@fixationuk.com or call us on 0207 582 3294.

NIKON Z 400MM F2.8 TC VR S

Nikon Z 400mm f2.8 TC VR S

Today, Nikon announces a new full-frame super-telephoto prime lens for the mirrorless Z system. The NIKKOR Z 400mm f/2.8 TC VR S with built-in teleconverter features a fast f/2.8 aperture and phenomenal AF performance. The 400mm focal length is a go-to lens for sports, wildlife, and nature photography with versatility out of the box with thanks to the built-in 1.4x extender.

 

The Nikon Z 400mm f2.8 TC VR S attached to the Nikon Z9 flagship mirrorless camera body.
The Nikon Z 400mm f2.8 TC VR S attached to the Nikon Z9 flagship mirrorless camera body.
Nikon Z 400mm Build Quality

Built to give photographers every advantage out in the field, the NIKKOR Z 400mm f/2.8 TC VR S also boasts an impressively lightweight build, just under 3kg (2950g). The lens is well balanced with the centre of gravity moved towards the rear of the lens improving the handling especially for long-duration use. For sport and wildlife photogrpahy sealing around all moving parts is standard to keep dust and moisture at bay. Controls on the lens are customisable for the perfect setup in any given shooting situation. The lens features a FN function ring to control the aperture in an intuitive way or to modify a custom setting of your choice. A Kensington® Security allows you to secure your lens if it is necessary to leave the lens outside your line-of-sight.

Nikon Z 400mm f2.8 TC VR S lens detail showing drop in filter, built in teleconverter and memory set button.
Nikon Z 400mm f2.8 TC VR S lens detail showing drop in filter, built in teleconverter switch and memory set button for pre-programmed focus distances.
Nikon Z 400mm Key Features

Built-in 1.4x teleconverter: a flick of a switch on the right side of the lens is all it takes to engage the teleconverter and extend the reach of this lens to 560 mm.

New AF motor design: The NIKKOR Z 400mm f/2.8 TC VR S is the first Z lens to adopt Nikon’s new Silky Swift Voice Coil Motor (VCM) focusing system with optical ABS encoder: autofocus is faster and quieter, with spot-on subject acquisition and tracking. Silky Swift VCM focusing system with optical ABS encoder delivers phenomenally fast autofocus with spot-on subject acquisition and tracking.

Optical Vibration Reduction: gives a 5.5-stop advantage even when shooting with the built-in teleconverter activated, Synchro VR is available when this lens is paired with the Z 9.

Meso Amorphous Coating on lens elements: It’s also the first Z lens to feature Nikon’s new Meso Amorphous Coat, which offers the highest anti-reflection performance in NIKKOR history. This new coating employs particles smaller than nano particles. Nano coatings had become standard on the best Nikon lenses for the last 10+ years. The Meso Amorphous coating improves control over ghosting and flare. Nano coating was already remarkable so we expect clarity and contrast to be perfect, reducing flare and haze even if shooting scenes with multiple light sources in the frame. This new class-leading anti-reflective coating combats ghosting and flare by eliminating incidental light coming from both diagonal and vertical directions.

Exquisite detail: Nikon’s ED, Super ED, and SR glass elements counter chromatic aberrations. ED stands for Extra-low Dispersion which reduces colour fringing at high-contrast edges. Super ED glass offers and improvement on ED elements Super Extra-low Dispersion. SR glass elements combat blue fringing bringing all wavelengths into a precise point where corrections had previously focused on red-magenta wavelengths.

Weather sealed and robust: sealing around all moving parts keeps dust and moisture at bay, and Nikon’s fluorine coating protects the front element. As a repair centre we must caution that no DSLR lens is completeley waterproof – a rain cover is essential to keep your kit dry when shooting in the rain.

Balanced: the lens’ centre of gravity is towards the rear for more stable operation. The tripod foot allows optimum balance when the lens is attached to a tripod. The foot is useful handle for carrying such a large lens but for a more compact form or when travelling, the foot is removable.

Customisable on-lens controls: functions can be assigned to the FN ring, as well as to the Fn buttons, focus ring, and silent control ring. Save focus distances to the memory-set button.

Drop-in filter slot: add drop in filters such as polarisers and ND filters for more control in challenging lighting situations.

Teleconverter Compatibility: supports use of the Z TELECONVERTER TC-1.4x and Z TELECONVERTER TC-2.0x this will extend the focal length range even further and can be used in combination with the built-in teleconverter.

Nikon Z 400mm Focal Length Range Chart
Combination400mm400mm with built-in teleconverter deployed
Z 400mm f2.8 TC VR S Lens only400mm f/2.8560mm f/4.0
Lens plus Z Teleconverter TC-1.4x560mm f/4.0784mm f/5.6
Lens plus Z Teleconverter TC-2.0x800mm f/5.61120mm f/8.0
Authorised Nikon Service Centre

At Fixation we are proud to be an official repair centre for Nikon in the UK able to service the current DSLR and mirrorless range of camera bodies and lenses. As a repair partner with Nikon for over 30 years we can complete many warranty repairs in-house, our technicians specialise in photographic repair making us the destination for profressional photographers. All our spare parts for repairs are supplied by Nikon to ensure all repairs are completed with genuine Nikon spares.

With the support of our in-house workshop our customers at Fixation know they will always recieve the best technical insights when investing in new equipment.

Find out more about our Nikon repair service and warranty repair services

Canon 2 year warranty

Canon Warranty increased to 2 Years

From 1st Jan 2022 Canon has increased its standard warranty to two years on all DSLR and mirrorless cameras, lenses and speedlite flash. The manufacturer has backdated the warranty update by two years so this change will affect all purchases made since 01/01/2020.

This update is part of the Canon European Warranty System and not only covers photography equipment such as the EOS R5, R6 and new EOS R3 camera bodies but includes Cinema EOS cameras including the popular Canon EOS C70 camcorder body and CN-E prime cine lenses including the cinematic Sumire primes.

Canon moving ahead of the curve

The new and improved warranty service from Canon is in anticipation of future requirements for manufacturers to provide easier access to repairs and longer availability of spare parts.

Changes in repair requirements for manufacturers are being driven by the “Right to Repair” movements campaigning for EU and UK legal requirements to make more electronic equipment repairable. Significant wins have been made already with rules for household appliances enacted in in summer 2021 and rules for consumer electronics expected next.

Authorised Canon Service Centre for Warranty Repairs

At Fixation we are an official repair centre for Canon EOS cameras, lenses and speedlite flash units. As a repair partner with Canon we can complete many warranty repairs in-house, our technicians specialise in DSLR systems making us the destination for work on the EOS 5D and 1D series as well as any L series EF lens repairs. All our spare parts for repairs are supplied by Canon UK to ensure all repairs are completed with genuine Canon spares.

We are part of the Canon Professional Network and offer CPS service turnaround times to photographers and businesses registered with Canon CPS.

We can forward any Cinema EOS or EOS R system mirrorless cameras and lenses to Canon on behalf of our customers.

Find out more about our Canon repair service and warranty repair services

Nikon Z9 camera

Nikon Z9

Nikon has launched its new full frame flagship mirrorless camera body: The Z9

The Nikon Z9 combines high resolution, high speed and high performance video in a robust body which exceeds the specification of the flagship DSLR the Nikon D6.

Nikon Z9 the new flagship Nikon digital camera.The Nikon Z9: £5,299

Our sales team are taking pre-orders. To put your name down or to talk through more details call us on 0207 582 3294 or email sales@fixationuk.com

High Resolution plus High Speed

The sensor in the Nikon Z9 is a stacked 45.7 megapixel full frame CMOS chip protected with a dual anti-dust coating and a sensor shield which drops down to cover the sensor when the camera is off.

Nikon Z9 features dual CFexpress type B card slots which are back compatible with XQD cards.

For speed the camera can shoot up to 20fps at full resolution RAW to capture over 1000 shots in a continuous burst. That’s over 50 seconds of your finger held down on the shutter button. To facilitate shifting such high-res files at high speed the Z9 has an Expeed7 imaging processor which writes to a Dual CFexpress type B card slot.

If 20fps is not enough you can shoot faster with a compromise in resolution: 30fps is possible at 45 megapixels. An astonishing full frame 120fps is also an option however the resolution is cut to 11 megapixels but it could help you catch a fleeting once in a lifetime moment.

Filing your images fast is also essential for photographers working to a deadline so the Nikon Z9 has Ethernet connection and USB typeC output for high speed file transfer. A USB cable can be connected direct to a mobile phone to help you file images without a laptop – ideal for events where you are always on the move.

Autofocus tracking for ultra high speed shooting

Nikon tracking AF is remarkable and focusing directly on the imaging sensor gives the Z series mirrorless cameras an edge in reliability. The Nikon Z9 offers 9 programmed subjects and can switch between them automatically depending on the scene or can be set to look out for and lock on to a specific subject.

The Nikon AF deep learning algorithm can detect: People, Dogs, Cats, Birds, Motorcycles, Cars, Trains and Aeroplanes. Nikon Eye-AF has been enhanced to lock onto smaller eyes in the frame than ever before to lock on to and track subjects within a scene. If the system loses a lock on an eye it will default to head and torso tracing until it can detect a face again, ideal for tracking subjects with erratic movement such as football, rugby or dance.

Nikon 3D tracking AF program is available in a mirrorless camera for the first time. The Z9 adds 3D subject tracking which uses colour, contrast and subject distance to improve subject acquisition. This flagship feature has been a feature of the D4, D5 and D6 and will be a great asset in the mirrorless Z9.

Video Specifications: 8K recording for hours

The Nikon Z9 has been designed with advanced heat dissipation to allow 8K UHD video at 30p to be recorded for 125 minutes recording in camera.

4K UHD, the current accessible video standard, can be recorded at 120p, 60p or 30p and as there is no frame cropping you can switch between frame rates and maintain the same angle of view for consistent cuts into and out of slow-motion footage.

Video can be recorded in Nikon proprietary N-Log, HLG in 10bit. The Z9 also supports ProRes 422 HQ.

With a firmware update the 8K video potential is further increased to 8k 60p 12bit RAW in-camera.

 

The Nikon Z9: £5,299

Our sales team are taking pre-orders. To put your name down or to talk through more details call us on 0207 582 3294 or email sales@fixationuk.com

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