A compact, lightweight and versatile prime lens has just been announced by Canon; the RF 24mm f1.8 Macro IS STM is only 270g and 6.3cm long. Despite it’s small size Canon has packed in features with image stabilization, close macro focussing and a silent STM motor making this new lens a poweful addition to any EOS R series camera. Great for details as well as environmental portraits and general views this lens will be in the kit bag for photographers shooting weddings, travel, street, portraits, vlogging and more. Canon RF 24mm f1.8 Macro IS STM Key Features
High Quality Wide Angle: The 24mm focal length is arguably the widest focal length lens available without introducing distracting distortion to images especially with people in the frame. Canon have a long history of producing spectacular wide angle lenses and we expect this lens to be perfect for environmental portraiture and travel photography, capturing people within their environments. Canon has used an asphercal element and lens coatings in the lens construction to imforve image clarity and control for chromatic aberration.
5-Stop Optical Image Stabilisation: Canon IS lenses strady your image using a floating optical element group to ounter the effects of hand-held camera shake. Shoot hand-held at slower shutter speeds with confidence and enjoy smoother video footage witht the Canon RF 24mm Macto IS STM. When paired with an EOS R system mirrorless body featuring in-body stabilisation the benefit increases to a 6.5 stop advantage as the body and lens benefit from rapid communication afforded by the RF lens mount.
Compact and Lightweight: 6.3cm in legth and only 270g this lens will fit in any camera bag, can be carried all day and is an un-obtrusive size for street photography.
Fast bright f/1.8 aperture: a 9-blade aperture mechanism delivers a circular aperture at all f-stops for smooth out of focus areas and beautiful background bokeh. The f/1.8 maximum aperture will deliver a shallow depth of field to isolate subjects from busy backgrounds.
Close focussing: a minimum focus distance of 14cm combines the benefits of macro photography (0.5x magnification or half life size projected onto the image sensor) and a wide angle lens that will let you get close while showing your subject in it’s environment. The water droplets and shallow depth of field on the rose, and marbles images below show how close you can get – perfect for capturing detail.
Customisable on-lens controls: A customisable on-lens control ring can be used to dial in settings from the lens, set the control ring for Manal focussing, ISO control, swiching between AF settings or selecting aperture without removing your hand from the lens.
Smooth Silent STM motor: The Canon STM motor or stepping motion has a smoother and quieter action ideal for recording video the STM motor delivers smooth focus pulls. If you have a microphone mounted on camera the STM motor is quieter than the USM equivalent so you will not pick up any sound from the lens while the STM focus motor is working.
The Canon RF 24mm f1.8 Macro IS STM Lens £719 The lens is available to pre-order just contact our sales team on sales@fixationuk.com or call us on 0207 582 3294 to pre-order.
Nikon announces a new full-frame super-telephoto prime lens for the mirrorless Z system. The NIKKOR Z 400mm f/4.5 VR S is a smaller lighter version of the super-fast f/2.8 aperture version launched in January. The 400mm focal length is a go-to lens for sports, wildlife, and nature photography and with a smaller maximum apperture this new announcement from Nikon is significantly more compact, lightweight and lighter on the wallet than its f/2.8 counterpart.
The Nikon Z 400mm f4.5 VR S Lens £3,299 The lens is available to pre-order just contact our sales team on sales@fixationuk.com or call us on 0207 582 3294 to pre-order.
Nikon Z 400mm f4.5 VR S Lens
Nikon Z 400mm Build Quality
Built to give photographers every advantage out in the field, the NIKKOR Z 400mm f/4.5 VR S is impressively lightweight at only 1245g and 23.5 cm long. weather sealing and a rubber gasket keep dust, dirt, and moisture out of all moving parts. Nikon’s fluorine coat makes it easy to wipe the front lens element clean. Controls on the lens are customisable with two function buttons one close to the body and one on the larger barrel towards the front of the lens for fast access to settings in any given shooting situation.
Nikon Z 400mm f4.5 TC VR S lens detail showing on-lens controls and tripod mount ring.
Nikon Z 400mm Key Features
Powerful VR: Powerful in-lens optical VR gives a 5.5-stop advantage. This increases to 6.0 stops if paired used with the Nikon Z 9, Synchro VR.
Teleconverter compatibility: extend the reach to 560 mm with a Nikon Z TC-1.4x, or 800 mm with a Nikon Z TC-2.0x teleconverter. Using teleconverers reduce the maximum aperture by 1 and 2 stops respectively but with superb ISO performance from Nikon this should be no issue if you need to get closer.
Compact and Lightweight: 234.5mm in legth and only 1245g this lens will fit in a standard camera bag and give you telephoto reach whenever you need it without any additional cases or carry requirements that come with larger telephoto lenses.
Exquisite detail: Nikon’s ED, Super ED, and SR glass elements counter chromatic aberrations. ED stands for Extra-low Dispersion which reduces colour fringing at high-contrast edges. Super ED glass offers and improvement on ED elements Super Extra-low Dispersion. SR glass elements combat blue fringing bringing all wavelengths into a precise point where corrections had previously focused on red-magenta wavelengths. Nikon’s Nano Crystal Coat optical coatings significantly reduce ghosting and flare.
Weather sealed and robust: sealing around all moving parts keeps dust and moisture at bay, and Nikon’s fluorine coating protects the front element. As a repair centre we must caution that no DSLR lens is completeley waterproof – a rain cover is essential to keep your kit dry when shooting in the rain.
Balanced: the lens’ centre of gravity is towards the rear for more stable operation. The tripod foot allows optimum balance when the lens is attached to a tripod. The foot is removable for a more compact form or when travelling.
Customisable on-lens controls: two custom function buttons L-fn and L-fn2 can be set to change different parameters whether that is snapping to a particular focus point or allowing modfication of a camera setting such as ISO without moving your hand off the lens. These butons once set up can make working with the lens much smoother. In addition there is a silent control ring that can be used to dial in settings from the lens. Switches on the lens are AF / M for switching off Autofocus if you are locked onto a subject at a set distance. The focus limit switch allows you to select the full focal distance range or limit to subjects between 6m and Infinity which makes locking on to a subject much faster as the motor has to move the optics in a smaller range.
The NIKKOR Z 400mm f/4.5 VR S: £3,299 The lens is available to pre-order just contact our sales team on sales@fixationuk.com or call us on 0207 582 3294 to pre-order.
Authorised Nikon Service Centre
At Fixation we are proud to be an official repair centre for Nikon in the UK able to service the current DSLR and mirrorless range of camera bodies and lenses. As a repair partner with Nikon for over 30 years we can complete many warranty repairs in-house, our technicians specialise in photographic repair making us the destination for profressional photographers. All our spare parts for repairs are supplied by Nikon to ensure all repairs are completed with genuine Nikon spares.
With the support of our in-house workshop our customers at Fixation know they will always recieve the best technical insights when investing in new equipment.
Today, Nikon announces a new full-frame super-telephoto prime lens for the mirrorless Z system. The NIKKOR Z 400mm f/2.8 TC VR S with built-in teleconverter features a fast f/2.8 aperture and phenomenal AF performance. The 400mm focal length is a go-to lens for sports, wildlife, and nature photography with versatility out of the box with thanks to the built-in 1.4x extender.
The Nikon Z 400mm f2.8 TC VR S attached to the Nikon Z9 flagship mirrorless camera body.
Nikon Z 400mm Build Quality
Built to give photographers every advantage out in the field, the NIKKOR Z 400mm f/2.8 TC VR S also boasts an impressively lightweight build, just under 3kg (2950g). The lens is well balanced with the centre of gravity moved towards the rear of the lens improving the handling especially for long-duration use. For sport and wildlife photogrpahy sealing around all moving parts is standard to keep dust and moisture at bay. Controls on the lens are customisable for the perfect setup in any given shooting situation. The lens features a FN function ring to control the aperture in an intuitive way or to modify a custom setting of your choice. A Kensington® Security allows you to secure your lens if it is necessary to leave the lens outside your line-of-sight.
Nikon Z 400mm f2.8 TC VR S lens detail showing drop in filter, built in teleconverter switch and memory set button for pre-programmed focus distances.
Nikon Z 400mm Key Features
Built-in 1.4x teleconverter: a flick of a switch on the right side of the lens is all it takes to engage the teleconverter and extend the reach of this lens to 560 mm.
New AF motor design: The NIKKOR Z 400mm f/2.8 TC VR S is the first Z lens to adopt Nikon’s new Silky Swift Voice Coil Motor (VCM) focusing system with optical ABS encoder: autofocus is faster and quieter, with spot-on subject acquisition and tracking. Silky Swift VCM focusing system with optical ABS encoder delivers phenomenally fast autofocus with spot-on subject acquisition and tracking.
Optical Vibration Reduction: gives a 5.5-stop advantage even when shooting with the built-in teleconverter activated, Synchro VR is available when this lens is paired with the Z 9.
Meso Amorphous Coating on lens elements: It’s also the first Z lens to feature Nikon’s new Meso Amorphous Coat, which offers the highest anti-reflection performance in NIKKOR history. This new coating employs particles smaller than nano particles. Nano coatings had become standard on the best Nikon lenses for the last 10+ years. The Meso Amorphous coating improves control over ghosting and flare. Nano coating was already remarkable so we expect clarity and contrast to be perfect, reducing flare and haze even if shooting scenes with multiple light sources in the frame. This new class-leading anti-reflective coating combats ghosting and flare by eliminating incidental light coming from both diagonal and vertical directions.
Exquisite detail: Nikon’s ED, Super ED, and SR glass elements counter chromatic aberrations. ED stands for Extra-low Dispersion which reduces colour fringing at high-contrast edges. Super ED glass offers and improvement on ED elements Super Extra-low Dispersion. SR glass elements combat blue fringing bringing all wavelengths into a precise point where corrections had previously focused on red-magenta wavelengths.
Weather sealed and robust: sealing around all moving parts keeps dust and moisture at bay, and Nikon’s fluorine coating protects the front element. As a repair centre we must caution that no DSLR lens is completeley waterproof – a rain cover is essential to keep your kit dry when shooting in the rain.
Balanced: the lens’ centre of gravity is towards the rear for more stable operation. The tripod foot allows optimum balance when the lens is attached to a tripod. The foot is useful handle for carrying such a large lens but for a more compact form or when travelling, the foot is removable.
Customisable on-lens controls: functions can be assigned to the FN ring, as well as to the Fn buttons, focus ring, and silent control ring. Save focus distances to the memory-set button.
Drop-in filter slot: add drop in filters such as polarisers and ND filters for more control in challenging lighting situations.
Teleconverter Compatibility: supports use of the Z TELECONVERTER TC-1.4x and Z TELECONVERTER TC-2.0x this will extend the focal length range even further and can be used in combination with the built-in teleconverter.
Nikon Z 400mm Focal Length Range Chart
Combination
400mm
400mm with built-in teleconverter deployed
Z 400mm f2.8 TC VR S Lens only
400mm f/2.8
560mm f/4.0
Lens plus Z Teleconverter TC-1.4x
560mm f/4.0
784mm f/5.6
Lens plus Z Teleconverter TC-2.0x
800mm f/5.6
1120mm f/8.0
Authorised Nikon Service Centre
At Fixation we are proud to be an official repair centre for Nikon in the UK able to service the current DSLR and mirrorless range of camera bodies and lenses. As a repair partner with Nikon for over 30 years we can complete many warranty repairs in-house, our technicians specialise in photographic repair making us the destination for profressional photographers. All our spare parts for repairs are supplied by Nikon to ensure all repairs are completed with genuine Nikon spares.
With the support of our in-house workshop our customers at Fixation know they will always recieve the best technical insights when investing in new equipment.
Nikon’s Z system is one of the most exciting names in mirrorless shooting right now. The firm has done a great job of providing a tantalising range of cameras, from the flagship Z7 to the lightweight APS-C Z50, and the glass is also excellent.
Having recently introduced its S-line of pro-grade lenses, which includes a trilogy of f/2.8 zooms designed to kit the working photographer out for every situation, Nikon has made its Z lens range cater for all needs and all budgets. Whether you’re a pro who needs the best of the best, or a novice photographer who’s working to a tight budget, the Z system will definitely have you covered. Wide-angles, telephotos, primes, zooms – it’s all here, to the point where it can be difficult to know where to start.
We’ve put together this guide to help you, running through every lens available for the Z system, as well as giving our recommendations as to what applications each one is best for. We’ll keep this guide updated with the latest lens releases, and may be adding third-party options in the future, so keep checking back!
Z-mount
The key to the Z system is the ultra-wide Z mount. It’s larger than any other full-frame mount currently available, and what that means is that it lets in more light. This allows for improved low-light performance, better corner-to-corner image illumination, and the possibility for making lenses with ever-wider apertures, even as wide as f/0.95 – as you’ll see in this very guide.
Our guide to Nikon Z lenses
Lenses for the Nikon Z-mount are Nikkor-branded, and that means you can expect a few things going in. Great optics are sharpness are pretty much a given, and specifically you can expect: Extra-low Dispersion (ED) glass, which minimises distortion and aberrations, and Nano Crystal Coat, an element treatment that reduces flare and ghosting for a sharp image with enviable clarity. In our guide below, we’ll focus on the individual character of each lens and the areas where they excel, so you can get a sense of which ones are right for you.
S-Line lenses
The S-line lenses represent the crème de la crème of the Nikkor Z offering. Similar to Canon’s L series or Sony’s G Master line, seeing a letter ‘S’ in the name of a Nikon lens is a cast-iron assurance that you’re going to be getting a lens of superb quality. If you’re shooting professionally, you should be going for S-line lenses as a matter of course.
S-line lenses boast top-quality sharpness and resolution, well-equipped to take advantage of Z cameras’ sophisticated sensors and their high megapixel counts. These lenses also specialise in reproduction of point light sources, designed to reproduce them more naturally for more pleasing bokeh effects, preventing light points from “fanning out” in low-light photography. S lenses have nine-bladed apertures as standard; they are also designed to eliminate focus breathing, making them more reliable for video, and their bodies are sealed to keep out dust and moisture.
We’ve divided the S-line lenses into primes and zooms, and ordered them from widest to longest, so you should be able to easily navigate to the type of lens you’re looking for.
S-line prime lenses
Nikon Z 20mm f1.8 S Lens
Nikon Z 20mm f1.8 S Lens
This ultra-wide prime is an extremely capable optic for a whole host of applications, thanks to its advanced optics that deliver both ultra-sharpness and an impressive close focusing distance of just 20cm. Whether you want to get big, expansive landscapes or small, intimate details with an exaggerated wide-angle perspective, the Z 20mm f1.8 S Lens will deliver. It’s surprising just how many situations a lens like this can be useful in!
Best for: Landscapes, architecture, close-ups
Nikon Z 24mm f1.8 S Lens
Nikon Z 24mm f1.8 S Lens
Another S-line wide-angle with a useful f/1.8 maximum aperture, the Z 24mm f1.8 S Lens distinguishes itself with a lot of great video-focused features. Its autofocus is near-silent, as is control of aperture and exposure compensation via the control ring, making it easier to make settings adjustments without compromising the audio of your footage. At 24mm, this is a great focal length not only for architecture and landscapes, but also for general documentary and urban street shooting.
Best for: Documentary, landscape, video
Nikon Z 35mm f1.8 S Lens
Nikon Z 35mm f1.8 S Lens
Designed to offer greater sharpness and clarity than most lenses of its class, the Nikon Z 35mm f1.8 S Lens is a lens that delivers speed and accuracy where it counts. A useful f/1.8 maximum aperture meets a speedy autofocus system, making the lens another ideal choice for street and documentary work. As is characteristic of S-line lenses, it also has had much work done to it to suppress aberrations such as sagittal coma flare, ensuring a super-clear image with pleasing light points, even at night.
Best for: Street, documentary, night shoots
Nikon Z 50mm f1.2 S Lens
Nikon Z 50mm f1.2 S Lens
One of the optically finest Nikon Z lenses on offer, this relatively new lens is billed as the perfect portrait lens for the Z system. Its 50mm focal length is complemented by an f/1.2 maximum aperture, while extensive coatings have been applied to the elements to significantly reduce ghosting and lens flare; these include not only the Nano Crystal Coat, but also Anti-reflection Areno. The lens also boasts an OLED screen for quick settings readout. Control depth of field like never before with this standout optical wonder.
Best for: Portraiture, high-resolution, low light
Nikon Z 50mm f1.8 S Lens
Nikon Z 50mm f1.8 S Lens
Significantly more affordable than the 50mm f1.2 S Lens, this is a great “starter” choice for any new Z shooter, and serves as a thoroughly decent all-purpose lens to boot. Providing edge-to-edge image clarity, at a focal length that roughly replicates the field of view of a human eye, the Nikon Z 50mm f1.8 S Lens is a terrific choice for all kinds of general-purpose shooting, with the nice addition of a stepping motor that makes autofocus both fast and silent.
Best for: Budget users, general-purpose shooting, video
Nikon Z 58mm f0.95 S Noct Lens
Nikon Z 58mm f0.95 S Noct Lens
The fastest lens in Nikon history? For now, the Nikon Z 58mm f0.95 S Noct Lens takes that crown. Inheriting a few design cues from the 1977 AI Noct Nikkor 58mm f/1.2 standard prime lens, it uses the large diameter of Z-mount to its advantage,resolving light points with astounding sharpness and clarity. Resolution and sharpness are fabulous even at that f/0.95 aperture, and the metal exterior of the lens has been engineered beautifully so the finished product has an elegant feeling class to it.
Best for: Shallow depth of field, portraiture
Nikon Z 85mm f1.8 S Lens
Nikon Z 85mm f1.8 S Lens
Another superb portrait lens, the Nikon Z 85mm f1.8 S Lens offers the ideal mid-telephoto focal length for shooting flattering portrait images. Its resolution is excellent, rendering the entire frame with sharpness and clarity, and a minimum focusing distance of 80cm means it’s possible to get nice and close to your subject. The lens is pleasingly affordable too, meaning that the vast majority of Z users can access this great portrait optic.
Best for: Portraits, interviews (video), documentary
S-line zoom lenses
Nikon Z 14-24mm f2.8 S Lens
Nikon Z 14-24mm f2.8 S Lens
Designed for landscapes, architecture and astrophotography, the Nikon Z 14-24mm f2.8 S Lens is the widest Nikkor zoom on the books for Z-mount at the moment, and blends superb image quality with smooth, pleasing bokeh. Despite the fact that it’s the kind of focal range you’d use for the faraway and expansive, the Nikon Z 14-24mm f2.8 S Lens also boasts a close focusing distance of 0.28m, cementing its status as one of the most versatile Z lenses. It’s the widest member of Nikon’s “trilogy” of pro-spec f/2.8 lenses.
Best for: Astrophotography, landscapes, close-ups
Nikon Z 14-30mm f4 S Lens
Nikon Z 14-30mm f4 S Lens
With a constant aperture of f/4 throughout its zoom range, the Nikon Z 14-30mm f4 S a versatile wide zoom, however what’s really impressive is that it’s one of the first and only full-frame zooms of its class to support direct filter attachment – usually the bulbous front element of a wide lens makes this impossible. The optical construction of the lens incorporates four Extra-Low Dispersion (ED) elements and four aspherical elements, substantively controlling for aberration and distortion.
Best for: Landscapes, seascapes, video
Nikon Z 24-70mm f2.8 S Lens
Nikon Z 24-70mm f2.8 S Lens
The first pro f/2.8 lens for the Nikon Z system and the middle member of the trilogy, the Z 24-70mm f2.8 S is an excellent example of a workhorse focal range beloved by pros the world over. Sharp from edge to edge and corner to corner, the Z 24-70mm f2.8 S sports a minimum focusing distance of 0.38m, and a useful Fn button that can be assigned to any of 21 different functions. Built tough and compact, sealed against dust and moisture, this is a lens ready to put in years of faithful service.
Best for: Photojournalism, documentary, general-purpose shooting
Nikon Z 24-70mm f4 S Lens
Nikon Z 24-70mm f4 S Lens
The more affordable version of the 24-70mm for shooters on a budget, this lens blends excellent versatility with a portable build that fully retracts when not in use, making it easy to carry around to shooting locations. Full weather sealing is a nice touch, and the minimum focusing distance of 0.3m means it’s also a great choice for close-up work. Robust, hardy and relatively inexpensive – this lens ticks a lot of boxes for the budget-conscious photographer.
Best for: Travel, shooting on a budget, general-purpose photography
Nikon Z 70-200mm f2.8 VR S Lens
Nikon Z 70-200mm f2.8 VR S Lens
The final member of Nikon’s f/2.8 trilogy, the Z 70-200mm f2.8 VR S completes the set in another workhorse focal length beloved by so many pros. High-quality and versatile, with an OLED panel for quick readout of settings, the Z 70-200mm f2.8 VR S uses a sophisticated optical construction of 21 elements in 18 groups, which includes six ED glass elements, two aspherical lenses, one fluorite lens, and one SR lens element. Focus breathing has been all but eliminated, making the lens a great choice for video too.
Best for: Sports, events, video
Other Z-mount lenses
Nikon Z 16-50mm f3.5-6.3 DX VR Lens
Nikon Z 16-50mm f3.5-6.3 DX VR Lens
One of two DX Z-mount lenses for the APS-C Z50 camera (and whatever future APS-C cameras join the series). It’s a pancake zoom, slim and compact, with a silent control ring that works for manual control of focus, as well as aperture control or exposure compensation. Despite the small size, Nikon also finds room for including in-lens Vibration Control, further expanding the utility of this handy little lens.
Best for: Travel, budget-shooting, architecture
Nikon Z 24-50mm f4-6.3 Lens
Nikon Z 24-50mm f4-6.3 Lens
One of the lightest full-frame zoom lenses around, the Z 24-50mm f4-6.3 gives you a useful range to play with that means you can shoot everything from architecture to portraits without changing lenses. Impressively affordable, the lens contains enough specialised glass elements to ensure crisp and high-contrast images, and with a sophisticated silent autofocus system, this is a lens for all purposes at a great price. It’s a good choice for a first lens for someone new to the system.
Best for: General shooting, learning the ropes, portraits
Nikon Z 24-200mm f4-6.3 VR Lens
Nikon Z 24-200mm f4-6.3 VR Lens
Another lens that’s great for travel, the Z 24-200mm f4-6.3 VR utilises an interesting design where its heavier elements are located in the rear, greatly improving balance and handling. In total the lens weighs just 570g, which is pretty impressive for such an expansive focal range, and image quality is excellent right the way through the length of the zoom. Autofocus is near-silent, while focus breathing and focus shift have been minimised, making for a very stable and reliable lens.
Best for: Travel, outdoor shooting, street photography
Nikon Z 50-250mm f4.5-6.3 DX VR Lens
Nikon Z 50-250mm f4.5-6.3 DX VR Lens
The other half of the picture for APS-C users, the Z 50-250mm f4.5-6.3 DX VR is a generous zoom that’s also eminently portable at 405g, making it a perfect companion for the nippy Z50. Nikon has also ensured a tight close-focusing distance of 0.5m, as well as fast focusing and a useful control ring. Taking you all the way from standard focal length to an impressive telephoto, this is an ideal choice for users who don’t want to bother with changing lenses while out shooting.
Best for: Travel, budget users, all-purpose shooting
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