The ultimate vlogging guide: Sony

The Ultimate Vlogging Guide | Sony

With a dedicated line of cameras built entirely around making vlogging easy, Sony is making no secret of courting the YouTube generation. Whether you want to shoot on a fixed-lens compact, a lightweight APS-C mirrorless camera or a pro-spec full-frame mirrorless model, Sony’s vlogging range has options for you. We’ve put together this guide to help you find the right one.

We’ve also looked at the best Sony vlogging lenses, for both APS-C and full-frame cameras, to help you put together your perfect vlogging setup. We’ve made sure to factor in price when making our picks, as we’re aware that many vloggers are operating on quite a tight budget. So, whether you’re starting fresh on a vlogging journey, or are looking to upgrade your kit to the next level, here’s all the best Sony kit to buy…

 

Best Sony vlogging cameras

Best Sony vlogging cameras
Best Sony vlogging cameras

While Sony’s various mirrorless and compact cameras have been popular with vloggers for a considerable amount of time, since 2020 the firm has been explicitly targeting this type of user with an entirely separate line of cameras. The ZV series – initially also known as the ZV Vlog cameras, though this naming convention has mostly been dropped – comprises a selection of compacts and mirrorless cameras specifically designed to appeal to vloggers.

The ZV cameras aren’t a radical departure from Sony’s previous cameras; the mirrorless models still use the E mount, so you’ve still got a huge selection of lenses to play with. They are more a refinement of the form, offering a suite of video options with useful features like built-in three-capsule microphones, real-time Eye AF and fully articulated LCD screens. 

Here are our picks for the Sony vlogging cameras to buy right now…

 

Best beginner vlogging camera: Sony ZV-1F

Sony ZV-1F
Sony ZV-1F

Key specs:

  • Compact camera
  • 20.1MP 1-inch sensor
  • 20mm (equivalent) f/2 lens
  • 4K 30p, Full HD 100/120p
  • Ports: Micro HDMI, 3.5mm mic input, USB-C

The Sony ZV-1F is the cheapest member of the ZV family, and is the ideal platform for a beginner vlogger to learn the ropes. It’s a compact camera, meaning it has a fixed lens, and it pairs a 20.1MP 1-inch sensor with a 20mm equivalent f/2 lens, giving you a nice and wide perspective that’s ideal for general-purpose vlogging. It shoots 4K at 30p, and Full HD at up to 120p, which is pretty much what you’d expect for a camera at this price point.

The appeal of the ZV-1F lies in how easy it is to use. Sony’s obvious priority with this model is making vlogging as simple as possible, and there are tons of features designed to help you out while shooting. Sony’s peerless Eye Autofocus is one of the stars of the show here, able to doggedly lock focus on a person’s eyes while shooting and ensuring a human subject never drifts out of focus. Sony’s Face-detection and tracking is also second to none.

Slim but solidly built, the ZV-1F is a camera that’s easy to take everywhere with you. It’s the kind of camera you can just pull from your pocket and start recording within seconds. There are plenty of obvious, clearly labelled buttons on the body for activating different settings. Digital stabilisation is also available for shooting handheld on the move, though this will crop into your footage – it’d be better to use the camera with a gimbal if your budget allows. 

Though the ZV-1 II has a prime lens, you’ll notice a zoom rocker on the front. This activates a 5x digital zoom function, which while best used sparingly, will allow you to get a little closer to a subject when necessary. There’s a port for a mic as well, though the built-in mics do a pretty decent job. While the ZV-1F is quite a simple proposition, it’s a very effective and usable starter vlogging camera. 

Pros:

  • Easy to pick up and use
  • Good quality from 1-inch sensor and 20mm lens
  • Exceptional Eye AF and Face Detection
  • Digital stabilisation works well

Cons:

  • Digital zoom only
  • No built-in ND filter

 

Best vlogging camera with zoom lens: Sony ZV-1 II

Sony ZV-1 II
Sony ZV-1 II

Key specs:

  • Compact camera
  • 20MP 1-inch sensor
  • 18-50mm (equivalent) f/1.8-4.0 lens
  • 4K 30p, Full HD 100/120p
  • Ports: Micro HDMI, 3.5mm mic input, USB-C

As you might expect from the name, the Sony ZV-1 II is the second iteration of the original ZV-1 camera – which was the first to arrive in the new vlogging line. According to Sony, the main piece of feedback that video shooters offered with regard to the first ZV-1 was that they wished its 24-70mm equivalent lens could go just a little wider. And lo, Sony waved its hand, and it was so – the Sony ZV-1 II is equipped with an 18-50mm equivalent lens, hitting a wider focal length that’s handy for general-purpose vlogging.

At that wide end, you can also take advantage of the f/1.8 maximum aperture for low-light shooting and working with shallow depth of field. This is great to have – just be aware that it does drop precipitously once you start to zoom in, reaching f/4 by the time you’re at 50mm. Elsewhere, this tiny camera makes for a superb vlogging companion – it’s barely the size of a pack of cards, and delivers video quality that’s a demonstrable step up from that of a smartphone. The three-capsule mic once again impresses, delivering audio quality good enough that you’re unlikely to want to increase the footprint of the tiny ZV-1 II by attaching a mic (though, of course, you can).

Elsewhere, Sony has also added an improved touchscreen that’s extremely intuitive to use. Autofocus algorithms have been tweaked for peak performance, and users can also take advantage of the Cinematic Vlog modes to create share-worthy clips straight out of camera.

Pros:

  • Useful wide-angle zoom lens
  • Great video and audio quality
  • Very slim, pocketable dimensions

Cons:

  • Max aperture drops at tele end of lens
  • Doesn’t zoom in as far as original ZV-1

 

Best mirrorless vlogging camera: Sony ZV-E10

Sony ZV-E10
Sony ZV-E10

Key specs:

  • Mirrorless camera
  • 24MP APS-C sensor
  • Sony E lens mount
  • 4K 30p, Full HD 120p
  • Ports: Micro HDMI, 3.5mm mic input, 3.5mm headphone output, USB-C

Once the ZV compacts started arriving, it didn’t take long for vloggers to start wondering when we were going to get a mirrorless entry into the ZV series. That wish was handsomely granted with the ZV-E10 – a capable, lightweight mirrorless vlogging camera, essentially modelled on the Sony A6100 but stuffed with features designed to appeal to vloggers.

The addition of a vari-angle, freely moving LCD screen is a big one, making it much easier to flip the screen to face forward for self-taping without interfering with tripods, microphones or other accessories. Like all ZV cameras, the ZV-E10 also includes a built-in three-capsule microphone (and comes with a clip-on windshield accessory), significantly improving the quality of recorded audio. To bump it up still further, you can also use the 3.5mm port to attach an external mic. 

A lightweight and well-balanced camera, the ZV-E10 is well suited to one-handed use and balances nicely with E-mount lenses (see the bottom of this post for our recommendations of lenses to pair with it). Once again, Sony’s autofocus proves itself as one of the best systems in the business. Eye AF, as ever, is unerringly good, and the Face Detection acquits itself well. Video quality is consistently excellent, with 4K topping out at 30p, and we also like that the ZV-E10 provides the option to livestream. 

Well priced and simple to use, the Sony ZV-E10 is one of the best mid-range vlogging cameras around, and will suit anyone who wants the convenience of a ZV compact camera, but with the flexibility of interchangeable lenses.

Pros:

  • Lightweight and portable
  • Loads of E-mount lenses available
  • Excellent autofocus, as ever

Cons:

  • No built-in stabilisation

 

Best full-frame vlogging camera: Sony ZV-E1

Sony ZV-E1
Sony ZV-E1

Key specs:

  • Mirrorless camera
  • 12MP full-frame sensor
  • Sony FE lens mount
  • 4K 120p, Full HD 240p
  • Ports: Micro HDMI, 3.5mm mic input, 3.5mm headphone output, USB-C

The Sony ZV-E1 was something of a surprise on release, and certainly sticks out in the ZV line-up – not least because it’s more than double the price of any of the other models in the series. It’s certainly going to be more than most casual vloggers need, but for those looking for a professional, fully equipped vlogging camera, the full-frame ZV-E1 will fit the bill exactly.

While it looks like a ZV camera – and bears the name – the ZV-E1 inherits a lot of its tech from Sony’s professional Alpha and cinema cameras. The 12MP full-frame back-side illuminated CMOS sensor is borrowed from the FX3 and A7S III, and given that the ZV-E1 also shares the BIONZ XR image processor, it follows that it’s just as much of a beast in low light. With an extended ISO ceiling of 409,600, the ZV-E1 can more or less turn night into day.

Video quality is all around excellent, with 4K available at up to 120p, and most modes supporting 10-bit colour sampling at 4:2:0 or 4:2:2. Sony’s flat Log profile is available for those who like to maximise dynamic range before colour grading their footage in post. However, if you want to speed things up a bit, we quite like S-Cinetone, a pre-graded profile that gives you good-looking footage straight out of camera. 

So, if the Sony ZV-E1 inherits the guts of pro cameras like the A7S III and FX3, and is a good deal cheaper, you might be wondering what has been cut out to make that possible? There are a few features missing – the first one you’d notice just from looking at the body is the lack of an electronic viewfinder; Sony is making the bet that vloggers won’t need it. There’s also no option to shoot RAW video, and the FX3 is more geared towards professional cinema use with a supplied handle equipped with XLR inputs. Again, Sony is betting that most vloggers won’t miss these features – and we think they might just be right.

Pros:

  • Superb low-light capabilities
  • Cine-quality features for a great price
  • Effective stabilisation and autofocus

Cons:

  • At the expensive end for vlogging cameras

 

Best Sony vlogging lenses

Best Sony vlogging lenses
Best Sony vlogging lenses

If you’re opting for a Sony mirrorless camera for vlogging, you’ll need to pick up a lens or two to go along with it. The Sony E-mount has a considerable advantage over mirrorless rivals like Canon and Nikon in that it has simply been around quite a bit longer, so there’s a lot of choice out there. Here are our picks of Sony vlogging lenses to get you started, whether you’re shooting on full-frame or APS-C. 

 

Sony E 11mm f/1.8

Sony E 11mm
Sony E 11mm

 This wide-angle lens for APS-C camera is specifically pitched towards vloggers. Delivering an equivalent focal length of 16.5mm due to the crop factor of APS-C sensors, this lens sits pretty much perfectly in the focal range for general-purpose vlogging and doing pieces to camera. Its wide f/1.8 maximum aperture also lets you make the most of available light and experiment with shallow depth of field. With two linear stepping motors, the autofocus is quick, efficient and virtually silent, and the lens delivers impressive edge-to-edge sharpness even when used wide open at f/1.8

Be aware that the lack of built-in stabilisation may be an issue if you pair the Sony E 11mm f/1.8 with a camera that also doesn’t have stabilisation, such as the ZV-E10. 

 

Sony FE 20mm f/1.8 G

Sony FE 20mm
Sony FE 20mm

A full-frame prime delivering a wide field of view, the Sony FE 20mm f/1.8 G borrows its dual Linear XD motors from the premium G Master lens series (more on which further down), meaning it offers exceptionally fast focusing action. With a nine-bladed aperture, the FE 20mm f/1.8 G lets you make the most of its f/1.8 aperture for beautiful bokeh in the defocused areas of images. 

 

Sony FE 16-35mm f/4 G PZ

Sony FE 16-35mm
Sony FE 16-35mm

Power Zoom (PZ) lenses are specifically optimised for video. The term means that the zooming function of the lens is powered and controlled electronically by a series of linear motors, rather than by the operator physically turning the lens. This is particularly useful for video for a number of reasons – it allows for smooth zoom movements without the jerkiness often introduced by manual movements, and it means the zoom mechanism can be triggered remotely – great for vloggers who are operating solo. The Sony FE 16-35mm f/4 G PZ also offers built-in stabilisation, edge-to-edge quality and a moisture-resistant build, making it a terrific all-around zoom for vloggers on E-mount.

 

Sony E 10-20mm f/4 G PZ

Sony E 10-20mm
Sony E 10-20mm

This Power Zoom lens is built for Sony’s APS-C cameras – meaning it’s super-compact, and balances very well on smaller cameras. The Power Zoom mechanism itself is not just beautifully smooth, but also entirely internal, so the balance of the lens doesn’t change when it zooms in and out. Focusing action is reliably fast. The Sony E 10-20mm f/4 G PZ is also well-suited to outdoor shooting, with a dust- and moisture-resistant design. For travel vloggers, this lens is definitely worth picking up.

 

Sony FE 24mm f/1.4 G Master

Sony FE 24mm f1
Sony FE 24mm f1

For a premium vlogging lens to make the most of high-end cameras like the ZV-E1, you can’t go wrong with a G Master. These are Sony’s top-flight lenses, delivering optical brilliance in a robust, professional-standard body. The best bet for vloggers is the Sony FE 24mm f/1.4 G Master, a truly optically stunning lens that delivers a superb image from corner to corner. With an f/1.4 maximum aperture, it’s well equipped for low light, too.

 

 

 

 

 

All the images used in this blog post are courtesy of Sony.

SONY FE 24-70MM F2.8 GM II

Sony FE 24-70mm f2.8 GM II

Today Sony launches the FE 24-70mm f2.8 GM II lens the second generation of the workhorse wide to standard to short-telephoto lens that powers countless professional photographers around the world. With a few new features and in-house G Master lens standards from Sony this release packs a lot of power into a smaller and lighter lens.

Sony FE 24-70mm f2.8 GM II: £2,099
The Sony FE 24-70mm f2.8 GM II is available to pre-order just contact our sales team on sales@fixationuk.com or call us on 0207 582 3294.

Sony FE 24-70 GM II in use on the Sony FX3 and a gimbal.
Sony FE 24-70 GM II in use on the Sony FX3 and a gimbal.
New features:

1. Circular Aperture with 11 aperture blades for smooth out of focus areas and consistent bokeh at all apertures.
2. Dedicated aperture control ring with click / declick switch
3. Smaller and lighter, only 699g vs 886g from the Mark I version
4. Sharper images, twenty elements arranged in 15 groups employing ED (Extra-low dispersion), XA (Extreme Aspherical), Super ED and aspherical elements in addition to special lens coatings, reduce aberations and artifacts for sharpness throughout the zoom range.

Sony FE 24-70mm f2.8 GM II: £2,099
The Sony FE 24-70mm f2.8 GM II is available to pre-order just contact our sales team on sales@fixationuk.com or call us on 0207 582 3294.

Sony FE 24-70 2.8 GM II side view
Sony FE 24-70 2.8 GM II Lens

Sample images from Sony by Mathias Kniepeiss:

COMPACT FULL FRAME LENSES FROM SONY

Compact full frame lenses from Sony

Sony has announced a trio of compact lightweight prime lenses. These are all lighter and smaller than their closest G-Master equivalents thanks to their f2.8 and f2.5 apertures. The lenses are compatible with all Sony full frame mirrorless cameras for a travel friendly photography kit.

The Trio:
Sony FE 28mm f2.8 G
Sony FE 40mm f2.5 G
Sony FE 50mm f2.5 G

The lenses are £629 each including VAT
Put your name on our waiting list and our sales team will be in touch as soon as stock is available. Email us at sales@fixationuk.com or call 0207 582 3294

Compact and strong

Sony have made each lens around 170g and have not compromised on build quality with metal exterior barrels and a metal lens hood to keep the lenses robust. The iris ring markings and focal length information are all engraved in the metal work for longevity.

Uniform design

Their uniform size 68mm diameter x 45mm length, makes these lenses easy to add to a kit bag and the Designers at Sony have even kept the filter thread uniform 49mm for each lens so they can share polarizing filters or a Lee filter kit.

Image quality

There is no compromise in image quality with aspherical and ED (extra-low dispersion) elements in use to control chromatic aberration. With smaller optics these lenses will deliver consistent sharp images that stand up to the test of Sony’s high resolution imaging sensors.

We are excited to see these lenses and hope to have our first delivery from late April.

The lenses are £629 each including VAT
Put your name on our waiting list and our sales team will be in touch as soon as stock is available. Email us at sales@fixationuk.com or call 0207 582 3294

SONY FE 35MM F1.4 G MASTER LENS

Sony FE 35mm f1.4 G Master Lens

Sony has launched a new full frame G Master prime lens: Sony FE 35mm f1.4 G Master. A wide angle lens in the manufacturer’s premium G Master range, featuring the latest in lens-making technology for exceptionally sharp images. 35mm lenses go hand in hand with reportage style photography; this new lens from Sony is equally capable of recording general views and natural looking portraits.

To see more of the Sony lens range visit our Sony lens guide.

 

Close Focusing

Sony has refined the focus system to deliver a close focusing distance of 27cm which adds product photography potential to an already versatile lens.

This sample image from Sony highlights both the crisp plane of focus that this lens achieves and the smooth de-focused elements both in front and behind the focal plane. The sense of perspective is heightened because of the 35mm focal length.

 

 

 

Professional Build and Controls

Sony G Master lenses are built for professional use and the FE 35mm f1.4 G Master is no exception. The lens has dust and moisture seals to withstand use in tough conditions. The lens also has many controls to make it easier to use:

  1. Focus Ring
  2. Focus Hold button – to lock focus and re-compose or to start continuous tracking focus. This button can be customised in the camera menu to allow fast access to a range of different settings.
  3. Focus Switch Manual / Autofocus
  4. Aperture ring with aperture scale
  5. Aperture click switch – this removes the aperture clicking into each stop for seamless f-stop adjustment ideal for video.

 

 

Smooth Bokeh

The smooth bokeh is another hallmark of Sony G Master lens production technologies. XA lens elements (Extreme Aspherical), improved surface finishing on the elements, and an 11 blade aperture, combine to remove aberrations within out of focus parts of the image for the smoothest blur possible. In the portrait below the bookcase backdrop and lighting elements in the room are outside the plane of focus but the highlights do not have distracting geometric shapes which are produced by lenses with fewer aperture blades.

GUIDE TO THE BEST SONY FE LENSES

Guide to the best Sony FE lenses

With more and more photographers discovering the wonders of full-frame Sony E-mount cameras, there are absolutely loads of great lenses being produced for them. Whether you’re using the super-speedy A9 II, the ultra-sensitive A7S III or the high-resolution A7R IV, you’re absolutely spoiled for choice when it comes to lenses. So much so that it can be difficult to know where to start! So, we’ve put together a guide to help you.

In this guide, we’ll be taking you through some of our favourite lenses for Sony FE cameras. We’ve split the guide into three sections – wide-angle, standard and telephoto, so you can easily jump to the type of lens you’re most interested in.

Unlike our guides to Canon RF and Nikon Z lenses, we haven’t been comprehensive here, as there are simply too many Sony FE lenses to include them all! Instead, we’ve included a broad spectrum of lenses, from Sony and from third-party manufacturers, at a range of price points. So no matter whether you need the best of the best, or you’re working to a tight budget, there will be lenses for you.

Sony FE Lenses

We’re dealing specifically with FE lenses – E-mount lenses that are compatible with Sony’s full-frame professional cameras Alpha cameras. We’ll keep this guide up to date, so keep checking back for our recommendations of the finest Sony FE lenses you can get right now.

Wide-angle

Sony FE 12-24mm f2.8 G Master Lens
Sony FE 12-24mm f2.8 G Master Lens

Sony’s G Master lenses are not only some of the best E-mount lenses – they’re some of the best lenses around right now, full stop. So you can expect to see a fair few more of them throughout this guide!

The FE 12-24mm f2.8 G Master is a wide-angle zoom with professional-grade optics, designed to capture stunning details with minimal distortion. The optical design includes three XA elements, an aspherical element, two super ED (extra-low dispersion) elements and three ED glass elements, all of which adds up to an incredibly sharp image. The inclusion of advanced nanocoatings also helps ensure superior light transmission. Plus, an advanced autofocus system uses XD linear motors to make the focusing action fast, silent and accurate.

Best for: Landscapes, astrophotography.

Sony FE 16-35mm f2.8 G Master Lens
Sony FE 16-35mm f2.8 G Master

For a wide-angle that’s a little less extreme, try the FE 16-35mm f2.8. A high-quality lens for a huge range of shooting situations, the Sony FE 16-35mm f2.8 G Master boasts exceptional corner-to-corner sharpness thanks to its sophisticated optical construction. It consists of two glass XA elements (extreme aspherical), three aspherical and 2 ED glass (extra low dispersion) elements, all of which combine to effectively minimise chromatic aberration.

This combines with a dust- and moisture-resistant construction and a Direct Drive SSM autofocus unit to make for a lens that’ll perform in any situation you care to throw at it. A great, trusty optic for a working photographer to have by their side.

Best for: Landscapes, documentary, everyday shooting

Zeiss 18mm f2.8 Batis Lens
Zeiss 18mm f2.8 Batis Lens

A wide prime with superior optics – what else would you expect from Zeiss? The 18mm f2.8 Batis lens is designed to provide superior sharpness and quality across the entire image field, ensuring top quality across its entire field of view. Zeiss has employed a floating elements design for this lens, meaning it retains its quality across the entire focal plane, from its close focusing distance of 0.17m right the way to infinity. A handy OLED display provides a readout for focusing distance and depth of field.

Best for: Landscapes, interiors, architecture.

Sony FE 24mm f1.4 G Master Lens
Sony FE 24mm f1.4 G Master Lens

One of the most impressive aspects of this G Master lens is that it not only delivers the kind of professional-grade quality we’ve come to expect from these lenses, but it’s also amazingly portable. Weighing just 445g and measuring 75.4mm by 92.4mm, the FE 24mm f1.4 G Master also has a filter thread of 67mm. Somehow Sony has managed to include the Direct Drive SuperSonic Motor (DDSSM) focusing system, so the lens performs brilliantly in pretty much all categories. This lens is a truly impressive technical achievement!

Best for: Documentary, reportage, street photography.

Sony FE 28mm f2 Lens
Sony FE 28mm f2 lens

A fantastic budget lens for anyone looking for an affordable, dependable wide-angle prime. The Sony FE 28mm f2 delivers impressive sharpness, and the f/2 aperture puts shallow depth of field in play. This is further helped by the nine-bladed aperture, which enables the creation of beautiful bokeh.

The fixed focal length of the FE 28mm f2 is what has enabled Sony to include such sophisticated optics in a lens of its class; the design includes three aspherical elements and two ED elements. Also, if you want to increase its versatility, you can use the optional converters to change it to a 21mm ultra-wide lens or even a 16mm fisheye, without any impact on optical quality. This cements the lens as a fantastic options for shooters working with a limited budget.

Best for: Landscapes, outdoor photography, shooting on a budget

Standard

Sony FE 35mm f1.8 Lens
Sony FE 35mm f1.8 Lens

The humble 35mm is one of the most versatile focal lengths around, and we really rate Sony’s homebrew version of this optic with an f/1.8 maximum aperture. The accurate tracking AF of this capable prime means it’s a great choice for movies as well as stills, while its moisture-resistant design ensures it’s hardy enough for outdoor shooting.

There’s a pleasing amount of customisability to this lens – its Focus Hold button can be reassigned to other functions if that’s not what you want for it. The lens weighs a slender 280g, meaning it won’t weigh you down too much on an extended shoot. Whether you’re roaming the streets or producing landscapes, this dependable lens will make for a great choice of companion.

Best for: Travel, street photography, everyday shooting.

Sony FE 35mm f1.4 G Master Lens
Sony FE 35mm f1.4 DG Master Lens

If you like the sound of a 35mm lens but need something that delivers higher sharpness and brightness in low light, then this is your port of call. The Sony FE 35mm f1.4 G Master Lens is an outstanding optic, made with the latest Sony lens making technology for superior sharpness. Fantastic for low light thanks to the f/1.4 maximum aperture, the lens also sports an eleven-bladed aperture for the creation of vivid bokeh.

The minimum focusing distance of the lens is 27cm, so it’s great for close-up work as well as wider, more expansive scenes. The optical performance is topped off with Sony’s Nano AR Coating II which wards off reflections and ghosting for superior light transmission. ED glass elements reduce chromatic aberrations and XA (Extreme Aspherical) elements deliver excellent image quality in a compact form. An outstanding prime optic.

Best for: Low light, documentary, reportage, weddings.

Sony FE 24-70mm f2.8 G Master Lens
Sony FE 24-70mm f2.8 G Master Lens

This G master lens is one of the finest examples of the workhorse 24-70mm f/2.8 lens, and professional in many different fields will get a lot of use out of it. With Direct Drive SSM, its autofocus is fast and accurate, and the design is resistant to dust and moisture. The circular nine-bladed aperture also means that it’s possible to create beautiful defocused effects with the lens, and create images with gorgeous bokeh. This puts it in play as a portrait lens, as well as being useful for travel, reportage, event photography… and just about everything else! It’s hard to think of any type of Sony Alpha user who wouldn’t have any use for this lens.

Best for: Events, portraits, weddings

Sony FE 50mm f1.4 ZA Planar T* Lens
Sony FE 50mm f1.4 ZA Planar T Lens

Sony’s fruitful partnership with Zeiss has produced many outstanding lenses, and one we particularly like is this nifty fifty. The FE 50mm f1.4 ZA Planar T* is a high performance lens that hugely impresses thanks to its Planar optical design, not to mention its f/1.4 maximum aperture. The T* coating from Zeiss minimises flare and ghosting, while the aperture ring provides hands-on tactile control. Images look absolutely superb from edge to edge and corner to corner, as you’d expect from a Zeiss lens, and this standard, natural-looking focal length means it’s also a good choice for video.

Best for: Street shooting, video, documentary.

Telephoto

Zeiss 85mm f1.8 Batis Lens
Zeiss 85mm f1.8 Batis Lens

A fantastic optic in a useful portrait-friendly focal length, the Zeiss 85mm f1.8 Batis Lens is an outstanding choice for anyone who wants to photograph people. Be it studio portraiture or wedding photography, the 85mm f1.8 Batis is a fast, capable lens that will keep up and deliver images of superb quality.

A handy OLED display on the body of the lens helps the user keep track of focus distance and depth of field. The autofocus is fast and quiet, and the lens body is equipped with weather seals to make it suitable for outdoor shooting. Its minimum focusing distance of 0.8m makes it super-versatile, so you can get close to your subjects without fear.

Best for: Weddings, portraits, events.

Sony FE 70-200mm f2.8 G Master Lens
Sony FE 70-200mm f2.8 G Master Lens

Just like the 24-70mm, the G Master version of the 70-200mm f/2.8 workhorse lens is one of the best in the business. Whether you’re photographing sports, weddings, events, concerts or whatever else, this is a lens designed to get the job done in an exemplary fashion. It delivers excellent sharpness at all points in the zoom range and throughout its entire focal plane – Sony boasts that it reaches hitherto unknown heights of resolution thanks to its XA (extreme aspherical) element with 0.01 micron surface precision. Focus at distances as short as 0.96m, enjoy super-fast AF and take advantage of Optical SteadyShot image stabilisation. This is truly a lens to do it all.

Best for: Sports, events, weddings, music.

Sony FE 70-300mm f4.5-5.6 G OSS Lens
Sony FE 70-300mm f4.5-5.6 G OSS Lens

If you’re not fussed about an f/2.8 aperture but could do with a bit more reach, try the Sony FE 70-300mm f4.5-5.6 G OSS Lens as a credible alternative to the 70-200mm f/2.8. It delivers solid optical performance throughout its focal range, with a Nano AR coating to reduce ghosting and flare.

It’s an excellent lens for tele-macro photography, with a close focusing distance of 0.9m and a magnification factor of 0.31x. Autofocus is also fast and quiet, thanks to the linear actuator, and Optical SteadyShot is on board for shake-free images.

Best for: Macro, portraits, events.

Sony FE 100-400mm f4.5-5.6 OSS G Master Lens
Sony FE 100-400mm f4.5-5.6 OSS G Master Lens

We’d recommend 100-400mm lenses to pretty much any working professional – you can read some of our guides to lenses [https://www.fixationuk.com/the-best-100-400mm-lenses-available-right-now/] and interviews with photographers [https://www.fixationuk.com/why-i-love-my-100-400mm-lens-richard-pohle/] to find out why this is one of the most useful, versatile focal ranges going. Sony’s G Master 100-400mm is a spectacular example of this type of lens, delivering excellent clarity at every point of the zoom range. The linear motor and Direct Drive SSM (DDSSM) autofocusing system is fast and accurate even with fast-moving subjects, and the body of the lens itself is built to withstand the elements. Bring distant subjects into sharp focus – this lens gives you the reach you need.

Best for: Wildlife, events, sports.

Sony FE 200-600mm f5.6-6.3 G OSS Lens
Sony FE 200-600mm f5.6-6.3 G OSS Lens

If you like the versatility of a 100-400mm lens but feel you’re likely to need a little more reach, the 200-600mm FE lens is a great solution. You get that extra focal length but don’t lose sharpness and clarity, as the optical construction includes five ED elements and one aspherical element, suppressing chromatic aberrations and distortion. Distortion can often be a problem with super telephotos, but Sony has worked to minimise this and make the FE 200-600mm a fantastic professional lens.

Best for: Wildlife, sports.

Sony FE 400mm f2.8 OSS G Master Lens
Sony FE 400mm f2.8 OSS G Master Lens

This is Sony going all out. No holds barred, no expense spared – it’s optical perfection at 400mm. The Nano AR coating eliminates flare and ghosting, while the XD Linear Motor ensure autofocus is blisteringly fast and unerringly precise. Weighing just 2,895g, this is impressively light for a lens of its class, with a magnesium alloy construction that balances light weight with superior strength. The quality is exemplary inside and out. This isn’t just one of the best Sony lenses – it’s one of the best lenses, full stop.

Best for: Wildlife, sports, ultra-high resolution shooting.

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