Vlogging Guide | Canon EOS 90D

Vlogging Guide | Canon

Thinking of starting a YouTube channel, or sharing videos of your exploits on Facebook, Instagram or another social media platform? Then you’ll want to pick up one of the best cameras for vloggers.

Canon EOS 90D

Welcome to the latest instalment of our kit for vlogging series, where we take a look at some of the best cameras out there for vlogging and other similar video applications.

Today we’re taking a look at a very recent DSLR – the Canon EOS 90D. This APS-C DSLR was announced in August of 2019, sitting firmly in the mid-range of Canon’s line-up with a pleasing balance of price and performance. Refreshing and updating the popular EOS 80D, the Canon EOS 90D is built around a 32.5MP CMOS sensor that’s APS-C sized. So why is it so great for vlogging – and why should you care?

Whether you’ve already started a vlogging journey or are casually interested in trying it out, there’s a lot to be said for it. Vlogging is a great way to add a string to your professional bhow, or to just have fun in a slightly different medium. Whether you want to document your travels, show off your rigs or find a new outlet for your creativity, vlogging has lots to recommend it, and given that so many stills cameras like the EOS 90D are so well-optimised for video, it also doesn’t require you to invest in a lot of new, specialised equipment.

Previously in this series we’ve covered the Nikon D7500, the Fujifilm X-T2 and the Sony A6500, all of which are amazing cameras and superb vlogging tools. So what makes the Canon EOS 90D worth your time for vlogging?

Let’s dig into its feature-set and find out for ourselves…

Why the Canon EOS 90D is a great choice for vloggers

Canon has received some stick from videographers in the past for the vicious crop modes afflicting its cameras’ 4K video capabilities, using only a portion of the sensor to deliver 4K video. Not so with the EOS 90D, which shoots uncropped 4K using the full width of its sensor. When you combine this with Canon’s sophisticated Dual Pixel AF autofocus system, you have a seriously capable 4K video setup for a pretty amazing price.

The Dual Pixel AF acquits itself really well in video, with points covering nearly 100% of the vertical frame and 88% of the horizontal and giving you more than 5,000 points to choose from. The “sticky” video autofocus can also make use of face-detection and eye-detection, which is especially handy for vlogging when the subject you’ll most often be shooting will likely be… yourself. Rolling shutter effect is nicely controlled for, and if you don’t want to shoot in 4K, the 1080p capture looks great as well. The camera also gains some useful videography features like focus peaking, though is missing the flat Log gamma profile. It’s not quite a professional video tool, but for vlogging, it’ll more than get the job done

This is borne out by the ergonomics, a lot of which are eminently vlogger-friendly. The touchscreen is a fully articulating model, allowing you to turn it around to face yourself and compose your self-shots with ease. The EOS 90D also includes a headphone port and a microphone port – mandatory on any camera aspiring to be taken seriously as a vlogging tool, as being able to record high-quality sound (and monitor it) is critical for creating video with a professional feel. It’s not too heavy for a DSLR, weighing in at about 700g body-only. This is acceptable for hand-held shooting, though you probably wouldn’t want to be lifting it all day.

The EOS 90D isn’t an entirely perfect choice. The lack of in-body Image Stabilisation necessitates either buying a stabilising rig (bumping up your costs) or relying on digital stabilisation (and cropping your footage). However, for its price it’s a fantastic tool and can absolutely be relied upon to get the job done in an exemplary fashion.

An ideal vlogging setup with the Canon EOS 90D

Fancy trying out some vlogging with the Canon EOS 90D? It’s worth investing a little time (and, yes, cash) into crafting the perfect setup that will help you to get the most out of this capable camera. We’ve put together a list to help you get started, including the various accessories we reckon will make your vlogging run much more smoothly and lead to professional results.

Here’s what we think you’ll need:

– A good-quality APS-C lens. As the Canon EOS 90D has a smaller sensor, some lenses will behave differently than they would on a full-frame DSLR, so make sure you know what you’re getting into before you buy. We’d recommend picking up a good standard zoom for APS-C – something like the Canon EF-S 15-85mm f/3.5-5.6 IS USM should cover you for most eventualities.

– A high-quality microphone. We recommend this in all our vlogging blogs – the EOS 90D has a mic port, so take advantage of it! The RØDE VideoMic is an excellent choice at a solid price.

– A stabilising gimbal. The EOS 90D lack in-body stabilisation, as mentioned, so we’d recommend giving it a little help with a gimbal. Some like the Zhiyun Crane Plus is a good choice – this stabilising gimbal can hold up to 2.5kg of kit, so is easily strong enough for the EOS 90D and a lens.

– A fast, high-capacity memory card. The EOS 90D only has one card slot, so make the most of it. We recommend the SanDisk Extreme Pro range, and getting as high-capacity a card as you can afford.

– A strong tripod. Manfrotto’s 500 video tripod system will serve you well and provide a stable shooting platform in all situations.

Monitoring headphones. Again, it’s got the port, so use it!

– A videolight. Take a look at the Rotolight Neo range for some of the best video lights in the business.

Thank you for reading! Let us know if you have any questions about the EOS 90D or vlogging in general, and we’ll see you next time!

VLOGGING GUIDE | SONY A6500

Vlogging Guide | Best Cameras For Vloggers

Thinking of starting a YouTube channel, or sharing videos of your exploits on Facebook, Instagram or another social media platform? Then you’ll want to pick up one of the best cameras for vloggers.

Welcome back to our vlogging kit series, where we run through some of the best cameras and other equipment that’s out there for prospective vloggers right now.

You may or may not have been tempted by the idea of vlogging before, but even if you’ve never considered it, we’d definitely recommend giving it some thought. Vlogging tends to demand less production value than other types of video, and as a professional working in stills or video, you already have a wealth of material to vlog about with a built-in audience. What kind of kit are you using for your shoots – what do you like about it, what do you wish were better? How do you approach different kinds of shoots and subjects? People are interested in this stuff, and being able to connect with them through vlogs is a great way to open up new opportunities and even potential revenue streams.

Previously in this series we’ve covered the Nikon D7500 and the Fujifilm X-T2. Today in the hot seat is the Sony A6500, part of the tech giant’s APS-C camera range. Confusingly, it is not the newest of these – the A6400 was released a little later. Why? We don’t know. No one knows.

Cameras in this series are principally known for being super-fast and relatively affordable do-it-all cameras, with snappy burst speeds and autofocus systems to match. So what makes this one such a good choice for vlogging?

Let’s dig into its feature-set and find out.

Why the Sony A6500 is perfect for vloggers

The street-style, lightweight Sony A6500 fits perfectly with the others in the series that have come before it. That means that one of its big concerns is a fast, comprehensive autofocus – and it doesn’t disappoint, with an autofocus system that uses a combination of 425 phase-detect points and 169 contrast-detect points. This absolutely massive focus-point density means it’s able to acquire and keep its subjects near-instantly, and stands you in good stead for any and all vlogging you might want to do – minimal awkward moments were the camera hunts for focus after a sudden change in viewpoint.

The guts of the camera consist of a 24.2MP Exmor APS-C CMOS sensor paired with a front-end LSI and Sony’s Bionz X processor, all of which ensures the camera provides superior fast operation. While previous models in the series didn’t carry the capacity to produce 4K video, the A6500 happily shoots 4K UHD, and can also capture Full HD at up to 120fps for super-slow motion footage. While many vlogs are uploaded and watched in Full HD, being future-proofed is no bad thing, and the fact that the A6500’s 4K footage is oversampled, with no pixel binning – it’s captured at the equivalent of 6K – is another feather in its cap.

The A6500 is the first APS-C Sony camera to come packing 5-axis image stabilisation, which works with or without Sony’s stabilised lenses. Video recording is also made easier with Touch Focus, and serious video users can make use of the S-Gamut/S-Log modes to produce footage with a wide dynamic range, perfect for colour-grading in the edit. A Gamma Display Assist mode also makes it easier to ensure you’re getting a correct exposure while shooting in these modes.

The A6500 isn’t perfect. Frustratingly, its screen does not flip all the way around, making it difficult to monitor your shots if you’re filming yourself. It is also still quite a pricey camera, and you may find smaller and tidier options to be more to your liking from Canon, Fujifilm or Nikon. It only has one card slot, not two, and while it’s certainly more affordable than the full-frame Alpha 7 models, it’s still not exactly a cheap camera. These factors are worth bearing in mind before making any decisions.

Sony A6500 rigged for video

An ideal vlogging setup with the Sony A6500

If you want to maximise the production value you get out of the Sony A6500, then it’s worth thinking about the best accessories to use. It doesn’t have to be a massive outlay of cash – a few well-chosen accessories can make a massive difference in the quality of your videos, not to mention the ease of producing them, and luckily for you, we’ve picked out a ready-made list of the best ones around right now. While this list isn’t exhaustive, it also isn’t compulsory – even just a few of these will really see your vlogging improve.

So here’s what we reckon you should get:

– A good all-encompassing lens. You ideally don’t want to be faffing about changing lenses too often. We’d say something like the Sony 16-70mm f/4 will cover a solid focal range that should give you all the coverage you need for the vast majority of your vlogging.

– A good shotgun microphone. A no-brainer here for improving the sound quality of your videos – there’s a reason we recommend it in all of our vlogging blogs. A RØDE VideoMic will suit your purposes fantastically. For more audio control you can use the Sony XLR-K3M XLR adaptor kit, pictured above, with your choice of XLR microphone from shotgun mics to radio lavalier kits ideal for interviews.

– A fast, large-capacity SD card. You might be able to save some money here, as the A6500 isn’t able to take advantage of UHS-II cards, a UHS-I card will do fine. Something from the SanDisk Extreme Pro range will suit you fine – the higher its capacity, the better.

– A stable tripod, ideally one with a head geared for video. Manfrotto, Vanguard, Camlink and Velbon all make great dedicated video tripods with smooth panning heads.

Monitoring headphones to check your audio.

– A video light. Although the A6500 is great in low light, this is a good thing to have when you need it. Look at lights from Rotolight for a good self-contained system.


That’s all for the Sony A6500! We’ll see you next time.

VLOGGING GUIDE | FUJIFILM X-T2

Vlogging Guide | Fujifilm

Thinking of starting a YouTube channel, or sharing videos of your exploits on Facebook, Instagram or another social media platform? Then you’ll want to pick up one of the best cameras for vloggers.

When you’re looking for a great camera for vlogging, there are a number of different factors you have to consider. It’s a given that you need the camera to be able to capture high-quality video, in at least Full HD if not 4K, but there are other things too.

A good vlogging camera should have an external microphone socket so that you can produce top-quality sound for your videos (most cameras’ on-board mics simply won’t cut it for anything but the most amateurish productions). It needs a decent LCD screen for monitoring, should have solid battery life, and ideally shouldn’t be too large and bulky, as you’ll be taking it with you to shoot on location.

People buy vlogging gear for all different reasons – maybe you’re planning to start a YouTube channel, maybe you want to offer your clients an additional service, or maybe you just fancy mucking about with some behind-the-scenes videos of your shoots.

Previously in our vlogging cameras series we looked at a fantastic option – the Nikon D7500. Now we’ve got another recommendation to share with as one of the best choices for vloggers, this time a mirrorless camera. Today’s recommendation is the Fujifilm XT-2 with the VPBC-XT2 battery grip.

Read on as we discuss why in more detail.

Why the Fujifilm X-T2 is perfect for vloggers

Those of you who keep up with your camera news might be thinking this a slightly odd choice, given that Fujifilm has since released the X-T3 and X-T30. However, the X-T2 is still a fantastic camera in its own right, and all the subsequent releases mean it’s only going to get more affordable.

The video quality of the X-T2 is more than enough for vlogging. It was the first Fujifilm X-series camera to show that Fuji was really taking video seriously – that’s why it shoots 4K UHD (3840 x 2160) video at a bit rate of 100Mbps, all of which represents a considerable jump from the X-T1. Its footage looks simply fantastic, rendering beautifully thanks to the 24.3MP X-Trans CMOS sensor, and the 3-inch rear display with 1.04million dots makes monitoring your shots a matter of ease. The X-T2 also has a 3.5mm microphone port, meaning it’s easy to attach a shotgun microphone to bump up your sound quality and really improve your footage.

As mentioned earlier, we’re specifically recommending the X-T2 with the optional VPBC-XT2 battery grip. This accessory transforms the camera from a decent vlogging camera into an exceptional one, and if you’re serious about vlogging with the X-T2 we’d go so far as to say it’s essential.

This is for two reasons: #1 the VPBC-XT2 battery grip contains an external headphone socket for monitoring your audio. And #2, the grip extends the X-T2’s maximum 4K recording time from 10 minutes to 29 minutes. Either of those by themselves would be enough to make the battery grip a worthy purchase – put them together and they make it essential.

There are plenty more features we can list on the X-T2 – it has an HDMI output, audio volume live monitoring and dual card slots compatible with UHS-II – but the other thing perhaps most worth flagging up is that it is stylishly and ergonomically designed to be easy to use (with dial-led controls) and to look good too. Lightweight and rugged, the X-T2 is a camera that’ll keep up with you no matter where your vlogging adventures take you.

An ideal vlogging setup with the Fujifilm X-T2

We’ve put together a recommended vlogging setup for getting started with the Fujifilm X-T2. While we encourage experimentation and finding a setup that works for you, here is our selection of accessories you can use to make your shoots run a little more smoothly:

– Get a decent wide lens with a large maximum aperture. This will allow you to gather plenty of light and create shallow depth of field, as well as ensuring that the image you produce is of top quality. Something like the Fujifilm XF 35mm f2 R WR Fujinon Lens is a good choice, providing an equivalent focal length of about 50mm.

– Add the VPBC-XT2 battery grip (pictured above) to make your shoot last longer.

– A good microphone that can take advantage of the X-T2’s 3.5mm mic socket. We recommend the RØDE VideoMic GO, a portable and powerful microphone that’ll easily fit in your kit bag.

– Get multiple UHS-II memory cards. The X-T2 has two powerful card slots – use them! Get a couple of SanDisk Extreme PRO UHS-II cards in your preferred size (we’d recommend going as high as your budget allows).

– A tripod that’s geared for video. Stable but lightweight, with a head that enables smooth movement. The Manfrotto 500 Video System is a good choice.

– A pair of monitoring headphones for keeping an eye (an ear?) on your sound. You can’t go wrong with a pair of Roland RH-5 headphones.

– A video light. This doesn’t have to be expensive, but is useful to have in a pinch. Something light the Rotolight NEO II is ideal.


That’s all for the Fujifilm X-T2! We’ll see you for the next instalment of our vlogging kit series.

PROFOTO A1X FOR FUJIFILM

Profoto A1X for Fujifilm

The fantastic Profoto A1X speedlight flash is now available with a Fujifilm hot-shoe for full TTL compatibility with Fujifilm X-Series and GFX cameras. Fast recycle times are a benefit to any photographer shooting weddings, events or press. With Profoto AirTTL technology you can use this flash as a remote light source, or as a control unit for multiple Profoto flash heads.

Travelling light

Profoto A1X is compact and powerful. The flash is powered by an on-board rechargeable Lithium-Ion battery. This high power battery recycles the flash head fast, removing the need for external battery packs and cables. The Profoto A1X has a magnetic system snap-on system for light modifiers and comes with a wide-angle diffuser and a dome diffuser and a bounce-card which each snap on / off in a moment.

The Profoto A1X for Fujifilm is £949 including VAT.
To order call our expert sales team on 0207 582 3294 or email: sales@fixationuk.com

Profoto Air TTL

Profoto Air TTL technology allows you to use your camera system’s flash metering with a broad range of Profoto flash heads, from the on-camera A1X to the mighty Pro-10 Generator. Once your lights are in place, you can point, shoot and let your camera worry about the exposure. The wireless Air TTL connectivity, from camera to remote flash heads, saves you time when conditions change on location as the TTL metering will raise and drop the flash output as required. For precise control you can switch to Manual output and dial power up or down. The A1X and A1 speedlight flashes work as AirTTL commander units and as remote lights. Profoto also produce dedicated AirTTL remotes for Canon, Nikon, Sony and Panasonic TTL systems so you can use your familiar Profoto setup across a broad spectrum of cameras.

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